By Tim Grey
Colour self assurance is a realistic, results-oriented publication that provides photographers the information they should deal with colour successfully from trap to output. electronic imaging professional Tim gray designed this publication for busy photographers who are looking to get effects with out wading via a whole bunch information regarding colour science—-distilling crucial options into real-world use. He teaches basically the speculation that photographers needs to recognize to appreciate how colour administration works, and makes a speciality of the sensible details they should make judgements while operating with their photographs: the particular tactics that in attaining the easiest effects possible.
Managing colour images within the electronic age is hard. Is it attainable to get predictable colour with no bogging down in technology?
In this new version of the first actual sensible consultant to paint administration, electronic imaging professional Tim gray supplies a convincing "yes" and offers the an important details you want to get the colour you will have, each time. truly explaining colour administration workflow, he distills the method for the genuine world—from catch to output.
You'll the best way to fast get predictable colour effects throughout all devices—from cameras, displays, and printers, to scanners and raster snapshot processors (RIPs). up to date with new details on Photoshop®, RIP know-how, and calibration, this results-oriented booklet is a needs to for all critical photographers.
Inside, you'll become aware of how to:
Calibrate your display screen fast and accurately
Configure colour Settings in Photoshop for the output you need
Scan for most sensible effects, beginning with selecting the right scanner
Use a RIP for swifter caliber printing
Select the correct colour operating space—RGB, CMYK, spot colour, or others
Manage your digicam catch with presets and customized profiles
Adjust colour degrees, curves, and hue
Solve the magenta challenge and different saturation issues
Set up customized, canned, or time-honored printer profiles
Produce color-accurate photos for printers, the internet, e mail, and slideshows
Understand colour workflows—Scan-to-Print, electronic Camera-to-Print, and extra
Read Online or Download Color Confidence: The Digital Photographer's Guide to Color Management PDF
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Extra resources for Color Confidence: The Digital Photographer's Guide to Color Management
The top of the picture is dark, the clouds are weI/ defined against the sky, and the fortress is very bright. Below Left: The Green channel (Ctrl/O +2). Similar to the Red channel, though the sky is slightly less dark. The fortress is much less bright. Below: The Blue channel (Ctrl/0+3) This version is obviously unacceptable-the sky is far too pale, which makes the clouds pale, and also lets the viewer's eye drift up and away from the picture's subject. Black and-white film shooters would never have used a blue filter for this scene.
T DColorlze o Preview fii though, because it mentally separates overall contrast issues Film I b:�11 Filter Add a Hue/Saturation adjustment from the more creative thought a processes required to make the all the way to the left. " well together in the black-and white composition. The example on these pages shows how that happens in practice. EJ Activate the Background layer and add a second Hue/Saturation adjustment layer, which should be below Film in the layer stack. Like the film user's colored lens filters, this layer's purpose is to control the colors that the Film layer will capture.
Left: An orange filter would darken skies and make clouds stand out on black and-white film, but in the digital age it removes color, leaving this much information to work with. Right: A color image can be easily converted to appear as if shot on black and white with an orange filter. 30 CAMERA WORK-CAPTURING THE BLACK AND WHITE IMAGE FILTERS: RAW ALTERNATIVES Another reason why colored filters are conversion step occurs later in the not suitable for digital photography digital darkroom. Colored lens filters are relates to how digital cameras capture no longer needed for shooting black and images.
Color Confidence: The Digital Photographer's Guide to Color Management by Tim Grey