Download e-book for iPad: Circles of Confusion: Film, Photography, Video Texts, by Hollis Frampton

By Hollis Frampton

ISBN-10: 0898220203

ISBN-13: 9780898220209

A small yet effective sampling of Framptons writings was once accrued in Circles of misunderstanding released by means of the visible experiences Workshop in 1983, a yr ahead of Framptons demise on the age of forty eight. It in general collects his essays from Artforum and October. That infrequent quantity includes an creation by means of Annette Michelson, Framptons good friend and highbrow cohort, who had released them initially. Why those very important writings remained out of print formerly is a topic of gossipy hypothesis. in simple terms the scanner, the net and a loyal few have saved them in circulate.

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Extra info for Circles of Confusion: Film, Photography, Video Texts, 1968-1980

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Mass Culture – The Popular Arts in America, New York: The Free Press, London: Collier MacMillan, 1957 6. ‘Sight, Sound and the Fury’ in Rosenberg, B and Manning White, D. Mass Culture – The Popular Arts in America, New York: The Free Press, London: Collier MacMillan, 1957 David Manning White pointed out that television played an important role in bringing high culture to a mass audience and was responsible for whetting an appetite for culture. Lawrence Oliviers’ Richard III, screened in March 1956, was viewed by the largest audience in the history of television to that date.

45 A Post-modern Sensibility / cont. 17. Lash, S. Sociology of Post-modernism, London and New York: Routledge, 1990. ’17 As a result the Surrealists saw reality as a journey through a series of signifiers and sought to bring new meaning to the everyday. They sought poetic associations between these familiar objects that they saw as carrying subconscious meaning. Their use of photography as one of their principal media was a way of pulling their work back to iconic imagery as it enabled them to anchor the representation in reality.

This all changed in the late 1970s as independent record companies realised that their audience wanted a visual experience that connected their music to their identity. The major labels quickly joined in and consuming music soon became a visual feast. 10. Poynor, R. No More Rules: Graphic Design and Postmodernism, London: Laurence King, 2003 11. Saville, P. Designed by Peter Saville, London: Frieze, 2003 The designers assumed a level of visual literacy in their audience that gave them the confidence to use a range of ‘open’ signs.

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Circles of Confusion: Film, Photography, Video Texts, 1968-1980 by Hollis Frampton

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