By Jim Miotke
Totally someone can take higher photos!
If you could press a button, you could take nice images. It’s so simple as that. In BetterPhoto Basics, Jim Miotke, founding father of the preferred on-line images university BetterPhoto.com, stocks guidance and tips to increase your images without delay, it doesn't matter what digicam you’re utilizing. Too busy to learn a ebook? No problem—flip to any web page for an rapid tip to take advantage of straight away! learn how to compose knockout pictures, utilize indoor and outside gentle, and photo twenty renowned topics, from sunsets and plants to a relations portrait. those that are looking to pass additional get pointers on controlling publicity and the secrets and techniques at the back of ten complicated artistic options. and everybody will have fun with Jim’s breakdown of straightforward fixes to make in Photoshop. it doesn't matter what your point of expertise, you’ll be surprised how effortless it really is to begin taking pictures just like the pros.
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Additional info for BetterPhoto Basics: The Absolute Beginner's Guide to Taking Photos Like a Pro
Joshua Yospyn beat down the ambient light with an ND ﬁlter and his camera set to 1/250 sec at an f/8. Then he built it back up with a ﬂash lighting up an orange backdrop and the camera shooting through a large ring ﬂash. Lining up the catch light in his pupil was the hardest part. Looks like he caught a winner. com> VOL. com STROBIST Strobe ERIC FAGERHEIM Beauty Dish Octabox w/Grid L O O K I N G T O A D D something majestic to his portfolio, Eric Fagerheim headed to the beach with two strobes and a pair of modiﬁers: an octabox with grid and a beauty dish for ﬁll.
Com STROBIST Flash DUSTIN DIAZ T H I S F U N N Y , W E L L - L I T image is from Dustin Diaz’s 365 Project col- lection, in which Dustin dedicated himself to taking a decent photo every day for a year. For day 141 Dustin bounced a ﬂash into an umbrella high camera left and triggered a green gelled ﬂash with its head zoomed in for a snoot effect at the wall directly behind. The pose and expression complete the package, but the use of text elevates the image by forcing the viewer deeper into the character’s story.
I underexposed the ambient light to bring out the dramatic clouds and lit the model (it’s a self-portrait) with a single ﬂash into an umbrella. What makes the image work is the insane expression—not easy to do with families walking by staring at the crazy shirtless guy with the sword. The hardest part? It was so windy I had to keep one foot on the bottom of the light stand to keep the umbrella from dumping over while waiting for the self-timer to trigger! com> VOL. com STROBIST Flash Zoomed to 85mm Sun IMRE KISSIK Esztergom to do than spend hours preparing for the perfect shot.
BetterPhoto Basics: The Absolute Beginner's Guide to Taking Photos Like a Pro by Jim Miotke