By Waters, Clara Erskine Clement
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Additional resources for Angels
They are represented as having human forms and faces, young, beautiful and perfect, with an expression of divine nature. Artists see them as created beings, therefore not eternal, but they are never old, and should not be infantile. Such representations are referred to as infant angels and symbolise the souls of regenerate men or the spirits of dead infants, those of whom Jesus Coronation of the Virgin Fra Angelico, 1434-1435 Tempera on panel, 209 x 206 cm Musée du Louvre, Paris 50 said that “in heaven their angels do always behold the face of my Father”.
However, as the stricter theological observances prevailed, angels were not permitted as mere decorations, but were as also utilised as didactical tools, employed to reiterate the beliefs and teachings of the Church. Angels were only second to the persons of the Trinity at this period, and preceded the Evangelists. They were represented as surrounding divine beings, and the Virgin enthroned, or in Glory. Annunciation Fra Filippo Lippi, c. 1445 Wood, 175 x 183 cm Martelli Chapel, San Lorenzo, Florence 60 61 What was known as a Liturgy of Angels was most effective and beautiful.
Adoration of the Lamb (The Ghent Altarpiece, central panel) Jan van Eyck, 1425-1429 Oil on wood, 350 x 461 cm (open), 350 x 223 cm (closed) Saint Bavo Cathedral, Ghent 44 45 However by the end of the fifteenth and the beginning of the sixteenth century, this colour law had become less observed, and it was not unusual to see the wings of cherubim in various colours. Raphael’s world-renowned Madonna exemplifies this very change. The entire background of the painting is composed of lightly-painted seraphs and cherubs that almost blend into the golden-tinted background of the painting.
Angels by Waters, Clara Erskine Clement